In his 1998 film ‘The Hole,’ Taiwanese director Tsai Ming-liang offers an eerily prescient picture of need for connection in an age of pandemics.
Tag: world cinema
Making Worlds
A look at Rosalind Galt and Karl Schoonover’s book Queer Cinema in the World and the political potential of cinematic eroticism
Precarious Desires
A reflection on precarity and queer connections in Tsai Ming-liang’s I Don’t Want to Sleep Alone
Pacific Desires 