In his 1998 film ‘The Hole,’ Taiwanese director Tsai Ming-liang offers an eerily prescient picture of need for connection in an age of pandemics.

In his 1998 film ‘The Hole,’ Taiwanese director Tsai Ming-liang offers an eerily prescient picture of need for connection in an age of pandemics.
Where to begin with Taiwanese filmmaker Tsai Ming-liang? The beginning.
A look at Rosalind Galt and Karl Schoonover’s book Queer Cinema in the World and the political potential of cinematic eroticism